First, JP’s is totally smoke-free, which is a huge plus for us! It’s got ample parking and it offers patio seating out front. Check out their website to get a look at the sleek décor.
Before I move on to the food and drinks, let me give you the low-down on the music, Barclay Martin Ensemble. Barclay has a voice that has been compared to James Taylor. Visit their website to listen to some of their music. We all really enjoyed the Ensemble. See their review below that appeared in the Kansas City Star. I especially like some of their more lively numbers with lots of percussion.
For wine, Barb tried a red flight (two ounce pours), featuring the following wines (Note the theme from the movie, Sideways):
Get Sideways
133
Siduri Pinot Noir, Willamette Valley, Oregon 2005
Winemaker Adam Lee sources fruit from some of the most disparate vineyards in the Willamette Valley, then vinifies each barrel according to lot, clone, and cooper in an effort to champion individuality of place and intensity of flavor in each wine he produces.
134
Cycles Gladiator Pinot Noir, Central Coast, California 2005
Cycles Gladiator is a celebration of the freedom and happiness that pervaded the late 19th century following the invention of the bicycle. The mythological image of the ‘winged bycicle’ captures the grace, beauty, and uniqueness of our hillside vineyards.
135
Faiveley Nuits-St-Georges 1er Cru,Burgundy, France 2001
Classic French Burgundy from one of the regions’ top producers. With notes of earthy spice and dried fruits a good balance of acidity and soft texture makes this a great Pinot to pair with several foods.
Megan tried a flight of their whites:
World Cup Whites
105 Zemmer Pinot Grigio, Alto Adige, Italy 2004
Radiant straw yellow in color with apple and delicate pear fruit on the nose. This wine broadens and expands from tight scents of dry pineapple and white flowers to ripe flavors of lime.
106 Nora Albariño, Rias Baixas, Spain 2004
The Albariño varietal is native to this coastal area. It's rich and deep, offering melon, smoke, mineral and honey flavors and a long, smoky finish.
107 Balbo Crios Torrontes, Cafayate, Argentina 2005
Enticing aromas that are strikingly similar to Viognier, with hints of peach pit, flowers, and orange citrus fruit. Beautiful structure and acidity along with enticing fruit flavors.
108 Saint M Riesling, Pfalz, Germany 2003
Produced by Germany’s famed Dr. Loosen, this is a fresh, fruit-driven wine with wonderfully ripe flavors of peach and apricot.
Onto the food! An important note is that during most of June, JP’s kitchen will be closed due to an expansion. When the remodel is complete, they will start offering a full menu.
We sampled two items from their “light” menu. Both were delicious. We chose a cheese flight (“Local Flavor”) and a Bruschetta. The cheese flight was loaded with goodies like pear, apple, roasted pecans (spice with cumin, yummy), gourmet crackers, dried cherries, grapes, roasted peppers. Watch out for the roasted garlic – right Megan!
Local flavor
Maytag Blue, cow’s milk, soft blue
Wanting to make a name of his own Fritz Maytag, son of the founder of the Maytag washing machine, began working with scientists at Iowa State University to develop a great handmade American Blue. Considered one of the Noble Four Blues it has a moist yet crumbly texture with a lemony finish.
Carr Valley Mobay, cow’s milk, semi-soft
Carr Valley Mobay artesian cheese is made in two halves with grapevine ash in the center and outside. One half is made with goat’s milk, the other with sheep’s milk, and are then pressed together as one cheese. The flavor is earthy with a clean goat and sheep remnant.
Vella Special Select Dry Monterey Jack, cow’s milk, firm
This Special Select Jack has all the same characteristics as Vella’s regular Dry Jack, with its hard, pale yellow interior and sweet, nutty flavor. It is aged for a full year to develop an even harder texture and more intense flavor, making it similar to a Parmigiano Reggiano.
Bruschetta
Mixed greens, manchego cheese, pepperocinis, peppadews, pears, pear-balsamic dressing, fried Beau Solais Farms oyster mushroom croutons
TREAT YOURSELF TO A BARCLAY SUMMER
Diverse and daring ensemble plays regularly at Bar Natasha.
By TIMOTHY FINNThe Kansas City Star
The Barclay Martin Ensemble: June 20, July 18, Aug. 15 and Sept. 19 at Bar Natasha, 1911 Main St.

No one is ever going to confuse the two, but the music career of Barclay Martin has taken a David Byrne twist. In the same way Byrne evolved from a composer of enervated, twitchy post-punk art songs like “Psycho Killer” to a sound experimentalist and then a connoisseur of world music, Martin has changed both his tunes and the way he plays them.
He spent years developing a loyal following of fans who warmed up instantly to his refined blend of café folk and folk-rock tunes, which he sang in a voice that may always draw comparisons to James Taylor’s. He could have sustained that career, which produced the very appealing recording “Age of Information.”
But after some travel abroad, including several trips to the Philippines for a music documentary, Martin started to feel unsatisfied with the music he was making and the way he often performed it: solo with guitar.
Then came a career-altering moment: He started listening to and then playing with some of the best musicians in Kansas City. These days Martin leads the Barclay Martin Ensemble, a five-piece group comprising a lustrous roster of singers and players: Mark Lowrey on piano; Giuliano Mingucci, drums and percussion; Rick Willoughby, bass; and Erin McGrane, vocals and percussion.
For the summer and beyond, the ensemble has a gig every third Wednesday of the month at Bar Natasha, 1911 Main St. (It also performs regularly at JP Winebar, 1526 Walnut). During its May 16 show at Natasha, the band ended its 90-minute set with a one-two punch that illustrated its diversity, its sophistication and its brawn.
First, “Dawn,” a dynamic blend of ambient/hypnotic vocals and rhythms that erupts into a rumba/salsa rock beat before subsiding into more transcendence.
Then “Brother’s Keeper,” more than five minutes of two-chord gospel-blues revelry, featuring lots of percussion and harmonies and dancing and Lowrey giving the grand piano a combined Jerry Lee Lewis/Keith Moon working-over.
It was a joyous, high-energy moment — caffeinated, you could say, but definitely not your coffeehouse brew.
